Good example of Makonde tribal art that would make an excellent addition to any collection. Appears to be particularly old, perhaps 19th Century. // Makonde art can be subdivided into different areas. The Makonde traditionally carve household objects, figures and masks. After the 1930s, the Portuguese colonizers and other missionaries arrived at the Makonde plateau. They immediately showed great interest and fascination for the Makonde wood carvings and began to order different pieces, from religious to political “eminences.” The Makonde sculptors, after noticing such interest, decided to carve the new pieces using pau-preto (ebony wood, Diospyros ebenum) and pau-rosa (Swartzia spp.) instead of the soft and non long-lasting wood they had used before. This first contact with the Western culture can be considered to be the first introduction of the classical European style into the traditional Makonde style. Since the 1950s years the so-called Modern Makonde Art has been developed. An essential step was the turning to abstract figures, mostly spirits, Shetani, that play a special role. This shetani style originated in the early 1950s by master carver Samaki Likankoa, whose patron Mohamed Peera, an art curator in Tanzania played an instrumental and decisive role in influencing the modern makonde art movement. Some Makonde sculptors, the best known of whom is George Lugwani, have embraced fully abstract style of carving without discernible figures. Makonde are also part of the important contemporary artists of Africa today. The most internationally acknowledged such artist was George Lilanga.